, thf 92 3 


1923 
Mar .23 
NeAnZ 


SALE NUMBER 1725 
ON PUBLIC EXHIBITION FROM SUNDAY, MARCH EIGHTEENTH 


PAINTINGS, ETCHINGS 
DRAWINGS, SCULPTURES 


THE COLLECTION OF 


MARIUS DE ZAYAS 


OF NEW YORK CITY 


TO BE SOLD BY HIS ORDER 
FRIDAY EVENING, MARCH TWENTY’THIRD 
AT EIGHT’FIFTEEN 
AND SATURDAY AFTERNOON, MARCH TWENTY-FOURTH 
AT ABOUT THREE’THIRTY, IMMEDIATELY FOLLOWING 


THE SALE OF THE BENGUIAT COLLECTION 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presipent ] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1923 


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SALE NUMBER 1725 
ON PUBLIC EXHIBITION FROM SUNDAY, MARCH EIGHTEENTH 


Pre COLLECTION OF 


MARIUS DE ZAYAS 


Oi NEW YORK CITY 


RARE PRIMITIVE ART 
NEGRO WOOD CARVINGS: AZTEC SCULPTURES IN VOLCANIC STONE 
AND A VERY IMPORTANT SERIES OF 


PREINCA PERUVIAN POTTERIES 
UNIQUE IN THEIR RARE QUALITY AND STATE OF PRESERVATION 


PAINTINGS BY THE OLD MASTERS 
HEAD OF THE CHRIST BY COSIMA TURA: TWO PAINTINGS 
BY EL GRECO 
FRENCH IMPRESSIONIST SCHOOL 
IMPORTANT EXAMPLES BY CEZANNE, GAUGUIN, PICASSO, RENOIR, 
VAN GOGH AND OTHERS 
DRAWINGS OF THE IMPRESSIONIST AND 
BARBIZON SCHOOL 
DRAWINGS BY TOULOUSE-LAUTREC, SKETCHES BY PICASSO, 
LANDSCAPES BY JONGKIND AND COROT, INTERESTING - 
SPECIMENS BY DEGAS, ETC. 
TWO IMPORTANT DRAWINGS 
BY ERCOLE DI ROBERTI AND MICHELANGELO 


LITHOGRAPHS, ETCHINGS, ETC. 
AN UNUSUALLY LARGE SERIES OF TOULOUSE-LAUTREC 
LITHOGRAPHS 
TWO RARE LITHOGRAPHS BY INGRES, ILLUSTRATIONS FOR 
“THE RAVEN” BY MANET, MONOTYPES BY DEGAS 


TO BE SOLD BY HIS ORDER 
FRIDAY EVENING, MARCH TWENTY-THIRD 
AT EIGHT’FIFTEEN 


AND SATURDAY AFTERNOON, MARCH TWENTY-’FOURTH 
AT ABOUT THREE’THIRTY 


IMMEDIATELY FOLLOWING THE SALE OF THE BENGUIAT COLLECTION 


ie ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presipent ] 


PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
1923 


4 
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CONDITIONS OF SALE 


ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. 


The highest bidder to be the buyer. In all cases of disputed bids the decision 
of the Auctioneer shall be final. 


Buyers to give their names and addresses and to make such cash payments on 
account as may be required, in default of which the lots purchased shall be 
resold immediately. 

Purchases to be removed at the buyer’s expense and risk within twenty-four 
hours from the conclusion of the sale, and the remainder of the purchase money 
to be paid on or before delivery, in default of which The Anderson Galleries, 
Incorporated, will not be responsible for any loss or damage whatever, but the 
lot or lots will be left at the sole risk of the purchaser, and subject to storage 
charges. 


All lots will be placed on public exhibition before the date of sale, for examina- 
tion by intending purchasers, and The Anderson Galleris, Incorporated, will 
not be responsible for the correctness of the description, authenticity, genuine- 
ness, or for any defect or fault in or concerning any lot, and make no warranty 
whatever, but will sell each lot exactly as it is, WIirHOUT RECOURSE. 

If accounts are not paid and purchases removed within twenty-four hours of the 
conclusion of the sale, or, in the case of absent buyers, when bills are rendered, 
any sum deposited as part payment shall be forfeited, and The Anderson Gal- 
leries, Incorporated, reserve the right to resell the lot or lots by either private 
or public sale, without further notice, and if any deficiency arises from such 
resale it shall be made good by the defaulter, together with all expenses in- 
curred. ‘This condition shall be without prejudice to the right of this Com- 
pany to enforce the sale contract and collect the amount due without such 
resale, at its own option. 

The Anderson Galleries, Incorporated, will afford every facility for the employ- 
ment of carriers and packers by the purchasers, but will not be responsible 
for any damage arising from the acts of such carriers and packers. 

The Anderson Galleries make no charge for executing orders for their cus- 
tomers and use all bids competitively, buying at the lowest price permitted 
by other bids. 


Priced Copy of this Catalogue may be secured for one dollar 
THE ANDERSON GALLERIES, INC. 


PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


TELEPHONE PLAZA 9356 SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


INTRODUCTION 


UR time ts in a strange fermentation, and our way of collecting 
art-objects reflects it. The last years of the 19th century were 
entirely under the influence of the Impressionistic movement in France, 
which created beautiful paintings, and a bad system of art-philosophy. 
Impressionism brought in its wake an over-estimation of the fugitive 
sensations of the individual, and the Impressionistic School failed 
entirely when a work had to be created out of the spirit of a com- 
munity for a community. 


Still, in the 19th century the reaction against the spirit of impres- 
sionism set in. Formally speaking, the artists tried to create some- 
thing more stable, architectonic and static. The understanding of 
Cézanne is the basis of Gauguin and Van Gogh. Van Gogh felt the 
solitude of the artist and longed to paint works that would hang 
naturally in a sailors’ inn. Gauguin tried to get away from esthetic- 
ism and tried to create an art as simple and natural as that of the 
Polynesian natives. Then followed the discovery of the art of primi- 
tive people from Africa and Polynesia. It looked for a moment as if 
the brokers and dealers in artistic stocks and bonds would be driven 
out of the temple of art. The paintings that are created to-day have 
a monumental solidity that would be perfect if there were people 
and buildings of simple strength to receive them. But as things are, 
art again remains suspended between heaven and earth. 


Mr. De Zayas has been following with a keen eye the incessant 
striving of the individual artist in his detachment from the back- 
ground of a community. He clearly sees the tragic problem, to 
which no solution seems possible. His collection reflects the different 
movements that began at the end of Impressionism, and also includes 
the work of some earlier artists who exerted a particularly strong 
influence on the recent currents in art. It is for the first time that 
such an extensive series of the work of Toulouse-Lautrec is offered at 
public sale. The works of Cézanne, Van Gogh, Renoir, Daumier, El 
Greco and Gauguin are all choice examples. ‘The two paintings by 
Henri Rousseau will be particularly welcome. The sale of a beautiful 
series of pre-Inca Peruvian potteries may also be called a unique 
event in the New York auction market. 


R. M. RIEFSTAHL, PH.D. 


ORDER OF SALE 


FRIDAY EVENING, MARCH TWENTY-THIRD 


NINETEENTH CENTURY FRENCH ETCHINGS AND 
LITHOGRAPHS 1- 39 


DRAWINGS, WATER-COLORS, ETC. OF FRENCH ART- 
ISTS OF THE NINETEENTH CENTURY, WITH TWO 
IMPORTANT DRAWINGS OF ERCOLE DI ROBERTI 


AND MICHELANGELO 40- 75 
IMPORTANT COLLECTION -OF OLD*> ANDSMGr 
OIL PAINTINGS 76- 98 


SATURDAY AFTERNOON, MARCH TWENTY-FOURTH 


MISCELLANEOUS OBJECTS OFQART 99-120 

POLYNESIAN, NEGRO AND OTHER PRIMITIVE | 
SCULPTURES 121-165 

PRIMITIVE CHINESE JADES 166-168 


PREHISTORIC AMERICAN ART 169-191 


Seren lOAY EVENING, MARCH: TWENTY-THIRD, AT 8:15 


BERS Lesh ooLOn 


NUMBERS I-98 


NINETEENTH CENTURY FRENCH ETCHINGS 
AND LITHOGRAPHS 


NUMBERS I-39 


Peete HOGRAPH BY DAUMIER 


Sheet from the magazine “Le Charivari’’: ‘‘Actualities’’. 


Peete OGRAPH BY DAUMIER 
Sheet from “Le Charivari’’: Les Bons Bourgeosis Series. 


3 WOODCUT BY ANDRE DERAIN 
Nude woman, one arm raised, one arm and one leg wound about 
a pillar. On écru paper. Hand signed. Size, 3 x 8 inches 


fee bo OL NINE ETCHINGS BY ODILON REDON 
Peeeon al ING BAUDELAIRE’S “LES FLEURS DU 
MAL” 


All before the letter. See André Mellerio, “Odilon Redon’, 
Nos. 198-206. Published in one hundred copies for insertion 
in the volume of Baudelaire. (9) 


meeeeenm PICHING BY JACQUES VILLON AFTER 
MATISSE 
Oriental subject. Woman reposing with head on cushion to the 
left, a half clad female musician holding violin to the right. 
No. 27 of two hundred copies issued. Signatures of Villon and 
Matisse. Size, 18 x 23 inches 


Peete fT CHING BY JACOUES VILLON AFTER 
MATISSE 
Same subject as the preceding. No. 36 of two hundred copies 
issued. 


LO 


it 


IZ 


t3 


14 


ETCHING BYSRENOIE 
Two young girls, seated, both wearing broad-brimmed hats. 
Signature to the left. Size, 34% x 4% inches 


LITHOGRAPH BY GAUGUIN 
Boy and girl in landscape. Sige; 11 XO pices 


LITHOGRAPH By Mana 
Head of man wearing high hat, and head of invalided old 
woman. Signed to the right. Size, 834 x 434 inches 


LITHOGRAPH BY MANET 

Delteil, No. 91. The first of a series of four illustrations by 
Manet for the translation by Stéphane Mallarmé of the famous 
poem “The Raven”, by Poe. The poet seated in his study by 
the lamplight. Published in 240 copies. Initials “E M” to the 
left. Rare print on hand-made paper. 


LITHOGRAPH BY -MANET 
Delteil, No. 91. Same as the preceding, but on ordinary paper. 
The first of the series of illustrations for ““The Raven’’. 


LITHOGRAPH BY NEN a 

Delteil, No. 92. The second of the series of Manet’s illustra- 
tions for “The Raven’. The poet standing by an open case- 
ment window where a raven is hovering. Initials “E M” to 
the left. 


LITHOGRAPH BY DARE 

Delteil, No. 93. The third of the four lithographs by Manet 
illustrating “The Raven’. The poet looking upward, the 
raven perched on the bust of Minerva. Initials “E M” to the 
right. 


LITHOGRAPH BY MANET 
Delteil, No. 94. The fourth of Manet’s illustrations for “The 
Raven”. Room with an empty chair. Initials to the left. 


2 


1.) 


16 


MesOGRKAPH BY MANET 

Head of a Raven. Delteil, No. 95. Design originally made to 
go with the text of the announcement of the book. The present 
lithograph is one of the rare reprints without text, on vellum. 


Pe ey Phe BY DEGAS 
Head of a girl with long flowing hair, bound with a dark rib- 
foe nedteatures in profile. Very rare. Sige, 714 x 5 inches 


moo -TOULOUSE-LAUTREC 


FRENCH SCHOOL, 1864-1901 


eee WING NUMBERS FORM AN UNUSUALLY 
Peo ING SELECTION OF THE LITHOGRAPHIC 


— 


T/7 


18 


IQ 


eter 1 His GREAT FRENCH ARTIST, WHICH 


fo veRyY RARELY OFFERED AT AUCTION 
NUMBERS 17-37 


fies MAY BELFORT (18095) 

Delteil, No. 119. First state. Good print, but margin dam- 
aged. A\rtist’s stamp in the lower right. Pencil signature of 
the artist. Embossed stamp of the publisher Kleinmann in the 
lower left. This rare print was issued in only twenty num- 
bered copies, besides a few proof prints. No number is visible 
on the present copy; it must therefore be one of the proof 
prints. 


DEBAUCH (1806) 
ete c, 175. First state, betore the letter.. No. 49 of 
fifty copies issued. Numbered and initialled in pencil to the 
right. Artist’s stamp to right. Lithograph in three colors, 
red, blue and yellow. 


Pewee DE DOS, DANSANT LE BOLERO DANS 


CHILPERIC (189s) 


Delteil, No. 106. Only state. This lithograph was issued in 
twenty copies, besides a few proof prints. No number ts visible 
on the present copy; it must therefore be one of the proof 
prints. 


20 


21 


22 


23 


24 


25 


26 


27 


LENDER EV DAVALLEIE RES CIs0s: 

Delteil, No. 109. Only state. Twenty-five numbered copies 
issued; as the present copy bears no number, it must be one of 
the proof prints. Artist’s seal twice to the right. 


LA TERREUR-DE GRENELEE 
Delteil, No. 72. First state. With embossed stamp of pub- 
lisher Kleinmann to the left. No. 9 of one hundred copies 
printed. Arrtist’s stamp to the right. 


POUROUQOE PAS? e102) 

Delteil, No. 40. Only state. No. 56 of one hundred copies 
issued. This lithograph was published in “L’Escarmouche”, 
Vol. I (Nov. 12, 1893). With artist’s pencil signature to the 
left; seal to the right. 


PROMENOIR (1899) 

Delteil, No. 290. Only state. Issued in one hundred stamped 
and numbered copies, not including a few proof prints. As 
the present lithograph is without stamp and number, it must 
be one of the proof prints. Two seals of the artist to the left. 
Published in “Germinal”. 


MME. SIMON-GIRARD, BRASSEUR ET GUY (1895) 
Delteil, No. 114. Only state. Issued in thirty copies. Em- 
bossed stamp of Kleinmann to the left (stamp and margin 
damaged). Artist’s seal to the right. 


IDA HEATH AU BAR (1894) 

Delteil, No. 59. Only state. Arrtist’s seal to left and right. 
As this copy is not numbered or stamped, it must be one of the 
proof prints. 


MLLE. LENDER EP BARON? (1de3} 

Delteil, No. 43. Only state. Issued in one hundred copies in 
“L’Escarmouche’, December 3, 1893. Artist S$ Statipmtomc te 
left. 


LE VIEUX CHEVAL (THE OLD HORSE) (1898) 
Delteil, No. 224. Only state. Fifty copies printed. Artist’s 
stamp to the right. 


28 


ce 


30 


32 


33 


34 


PEMME EN CORSET (CONQUETE DE PASSAGE, 
BELES) (18096) 
Only state. Lithograph in two colors. No. 25 of one hun- 


dred copies printed. Numbered to the right. Artist’s stamp to 
the left. 


CAS SIV E 

Delteil, No. 162. Only state. One of a series of thirteen por- 
traits of actors and actresses. Artist’s stamp in the upper left. 
On brown paper. 


FOUR COLOR REPRODUCTIONS OF DRAWINGS BY 
eee e oe LAUTRECG PUBLISHED IN “LE RIRE” 
Two of Yvette Guilbert. (4) 


YVETTE GUILBERT ALBUM 

Delteil, Nos. 250-260. Series of eight lithographs, with orig- 
inal wrapper and text in English by Arthur Byl, published in 
London by Bliss & Sands, 1898. The so-called ‘English 
Series”. (Some sheets slightly damaged ) 


Pewee LE CAPE CONCERT” 

Delteil, Nos. 28-38. A series of twenty-two lithographs, eleven 
of them by Toulouse-Lautrec. Those by Toulouse-Lautrec are 
as follows: “Jane Avril’, “Yvette Guilbert”, “Paula Brebion’”, 
“Mary Hamilton’, “Edmée Lescot’, “Mme. Abdala’, ‘“Aris- 
tide Bruant’’, ‘““Cadieux’”’, ““Ducarre aux Ambassadeurs’’, “Une 
Spectatrice’” and “Chanteur Américain”. With text in French 
by Georges Montorgueil. 


REPETITION GENERALE AUX FOLIES-BERGERES 
Delteil, No. 44. This lithograph was issued in one hundred 
copies and published in “L’Escarmouche’’, 1893. Proof print on 


gray paper. 


Peer eNO (POSTER) 
Delteil, No. 340. Second state. Words to the left, “2me 
tirage a 30. 1895.” (Damaged) 


5 


ote 


36 


37 


28 


39 


FEMME SUR-CE DOS (LASSITUDE, PELies 
Delteil, No. 189. Only state. Issued in one hundred copies. 
Artist’s stamp to the right. 


FEMME COUCHEE (REVEIL, ELLES) (aan. 

Delteil, No. 182. Issued in one hundred copies. Rare proof 
print with handwritten notice of the artist: “Bon a tirer, fait 
un peu moins vert, T. L.” Initials to the right. 


MONOTYPE BY TOULOUSE-LAUTREG@ WAG Gir 
LA CLOW NESSE) 
Delteil, No. 338. Artist’s stamp to the lettres 


IMPORTANT LITHOGRAPH BY INGRES, FPREDEEe 
SYEV ESTER DOUG Ss 

Delteil, No. 6. The only other known copy of this rare litho- 
graph is in the Bibliotheque Nationale. In 1861 there was one 
copy in the Vente Parquez, but it has since disappeared. Signed 
to thesright, “Ineres, home isi 


IMPORTANT. LITHOGRAPH BY VINGR 

Delteil, No. 7. One of the three known copies of this very 
rare lithograph, the present one coming originally from the 
Rouart Collection. Delteil states that the subject of the por- 
trait is unknown; however, a handwritten notice on the present 
copy says: “Le Baron de Norvins de Montbreton, peint a 
Vhuile a Rome par Ingres et lithographie par luv’. (The paper 
discolored ) 


DRAWINGS, WATER-COLORS, ETC. OF FRENCH is 


40 


OF THE NINETEENTH CENTURY, “With 


IMPORTANT DRAWINGS OF ERCOLE DI ROBERTI 
AND MICHAELANGELO ADDED 


NUMBERS 40-75 


PENCIL DRAWING BY MANOLO 
Head of a Young Man. Signed to the right. 
Size, 13 x 9% inches 


42 


43 


44 


45 


46 


47 


48 


PEN AND INK DRAWING BY PICASSO 
Acrobat and monkey. Size, 81% x 5 inches 


Wein -COLOR BY PICASSO 
Abstraction. Signed “Picasso, 1916” in the upper right. 
Size, 12% x 9% inches 


Pencil DRAWING OF.A BOY BY PICASSO 
Represented nude, standing with one hand on the hip. 
Size, 7 x 4% inches 


Pon aD INK DRAWING BY PICASSO 
Seated figure in cloak and cowl. 


WeolER-COLOR SKETCH BY PICASSO 


Group of figures in 18th century costume. 


Size, 734 x 834 inches 


WATER-COLOR BY PICASSO 

Young man in pale yellow straw hat and evening dress, and 
young lady wearing feather boa and elaborate hat, seated at 
restaurant table. Signed to the left. Sige, 12 x Q inches 


TWO DRAWINGS BY PICASSO ON ONE SHEET 
On recto pencil sketch of a nude woman, standing; on verso, 
two heads and study of a hand, done in ink. 


Size, 614 x 4 inches 


CRAYON DRAWING BY PICASSO 
Portrait of M. A. N. Brenet seated at desk working. Signed 
to right, “A. N. Brenet, Picasso’. Size, 1414 x 10% inches 


i 


49 


50 


51 


52 


Bo 


54 


aos 


56 


bf 


58 


PENCIL DRAWING BY PICASSO 
Nude woman, standing, with one hand raised to the Mens 


Size, 61% x 4% inches 


SKE TCH]BY «Pig AS sG 
Pen and ink. Leaf from a notebook. Man with a pipe. 


SKETCH BY]PICes SO 
Leaf from a notebook. Pen and ink. Self-portrait with in- 
scription, “Picasso, par lui méme”’. 


PEN AND. INK DRAWING BY HENRI MATioS 
AFTER DELACROIX 

After painting, “The Capture of Rebecca”. Group of fleeing 
figures in the foreground, buildings burning on the hill. Signed 
to the left “Henri Matisse’, and to the right, “Apres E D, 
Henri Matisse”. Sige, 10% x 8% inches 


DRAWING BY- CONSTANTIN CG 
Pencil, heightened with gouache. Two ladies in feathered hats, 
wearing the costume of the 1880’s. Size, 7 x 434 inches 


PENCIL DRAWING BY JONGKIND 
Sailboats. Signed to the right. Size, 7x 4% inches 


PENCIL DRAWING BY JONGKIND 
Farm scene with cows. Signed to the right. 


S120,.7 X44 Inees 


DRAWING WITH WASH BY JONGKIND 
Horse and cart near bridge. Size, 4% x 7% imches 


PENCIL DRAWING BY JONGKIND 
Canal Scene, Rotterdam. Signed. Size, 734 x 5 inches 


TWO DRAWINGS OF HEADS BY stOULG 
LAUTREC 


Grotesque head of old man, and officer wearing cap. (2) 
Size, 10% x 6% mches 


59 


60 


62 


63 


64 


65 


PENCIL DRAWING BY TOULOUSE-LAUTREC 
“Chocolat”, the famous Paris clown. Signed to the right. 
Sige, 11 x 8 inches 


Pewee INK SKETCH BY DERAIN 
Landscape with poplar trees and houses. Signed to the right, 
ee Lat Size, 34% x 434 inches 


PENCIL DRAWING BY DERAIN 

View of town from a hillside, the roofs rising at interesting 
angles up the incline, and silhouetted against the sky. (Slight 
damages ) Size, 934 x 13 mches 


WATER-COLOR SKETCH BY DERAIN 
“Bathers”. Women standing and reclining. 
Size, 6 x 334 inches 


EUGENE DELACROIX 
FRENCH, 1798-1863 


PENCIL DRAWING 
Anatomical study of a man, standing with one arm raised. 
Three-quarter figure. Signed to the right, “E D”. 

Size, 12 x 9% inches 


EUGENE DELACROIX 
FRENCH, 1798-1863 


OT sKETCH OF A HORSE 
ie paner., oiened to the right, “ED”. 
Sige, 111% x 834 mches 


FUGENE DELACROIX 
FRENCH, 1798-1863 


WASH DRAWING 

Preliminary sketch for the painting “La Liberté”. Two men 
lying dead, another bending over them. Signed “E D”’ to the 
right. S122 rel 2x7 WICHeS. 


66 


67 


68 


69 


7O 


CAMILLE COROT 
FRENCH, 1796-1875 
DRAWING 


Pen and ink with gouache. Bare, hilly landscape, with sketchy 
figures of two men in the foreground. Signed “Corot” to the 
leit, Size, 94% x 12 mches 


HONORE DAUMIER 
FRENCH, 1808-1879 


DRAWING, “THE ADVOCATES. 

Pen and wash drawing. Two advocates, the one pleading 
pathetically, the other looking at him ironically. Public in the 
background. One of Daumier’s famous satires on the legal 
profession. Height, 934 inches; width, 15% imches 


GUSTAVE; COUR Ria 
FRENCH, 1819-1877 


DRAWING 
Study of a man with one arm upraised and pointing, the body 
nude, the hair long and heavy. (Torn at lower edge) 

Size, 101% x 734 mches 


EDGAR DEGAS 
FRENCH, 1834-1917 


TWO DRAWINGS 
One in pencil, showing a youth on all fours; the other of the 
same subject in colored chalk on brown paper. (2) 

Size of each,Q x 12% mches . 


EDGAR DEGAS 
FRENCH, 1834-1917 


TWO PENCIL DRAWINGS 
One of youth with arms upraised, the other of youth in atti- 
tude of defence. Wauth the seal of the Degas sale. (2) 

Size, 838 x 13% inches, and 75% x 12% mches 


IO 


5 


7/2 


7? 


HENRI DE TOULOUSE-LAUTREC 
FRENCH, 1864-1901 


PENCIL: DRAWING, “AT THE Pian. 
One woman seated at the piano, another standing by her side. 
Artist’s stamp to the right. Size, 20% x 14 mches 


GEORGES PIERRE SEU Rae 
FRENCH, 1859-1891 


“Li Eo EAVBOA 
Black crayon. Small tug on a stream, factories on the banks. 
Signed in red to the right. Size, 9% x 12 inches 


GEORGES PIERRE SE UR a: 


FRENCH, 1859-1891 


RAIN 
Drawing in black chalk. Woman with umbrella in the midst of 
dark landscape. Size, 1134 x 8% inches 


MICHAELANGELO BUONARROTI 
FLORENTINE, 1475-1564 


STUDY FOR ONE OF THE FIGURES IN ii ee 
CHAPEL. ; 
From the Baron Schlichting Collection. 

Height, 13% inches; width, 8 imches 


ERCOLE Di-ROBERW 
ITALIAN SCHOOL, LATE I5TH CENTURY 


“THE FLAGELEATION:: | 

Drawing with gouache. Christ bound to a column, while two 

Roman soldiers beat him with lashes. Size, 914 x 1434 inches 
[SEE ILLUSTRATION, PAGE IT | 


TZ 


IMPORTANT COLLECTION OF OLD AND 
MODERN OIL PAINTINGS 


NUMBERS 76-98 


GEORGES PIERRE SEURAT 
FRENCH, 1859-1891 


fone Wit FIGURES 
A tree-bordered road leads into a typical Norman village street. 
In the middle distance a peasant woman with a basket on each 
arm is advancing. In the right foreground, loom the head and 


shoulders of a man dressed in blue. Oil on panel. 
Sige, Il x 1334 mches 


[SEE ILLUSTRATION | 


[76] 


ANDRE DERAIN 


CONTEMPORARY FRENCH 


eG rev Lo EE 
A woman of provincial type, her head veiled by a dark blue 
scarf, leaning on her right arm. 
Height, 22 inches; width, 15% iches 


HONORE DAUMIER 
FRENCH, 1808-1879 


78 THE THIRD CLASS WAGON 
The artist was very fond of this subject, which he also treated 
in lithography. In the foreground, a couple sleeping, and a 
woman to the left holding her baby. In the rear, perspective 
into the next compartment, with two groups of three men each, 
Windows to the left. Powerful treatment of the masses; Kem- 
brandt-like light effect. Height, 9 inches; length, 12% inches 


[SEE ILLUSTRATION | a 


14 ra 


SO 


Si 


TIGR Uso bak UW. 
FRENCH SCHOOL 


Seok DE VULLEMOBLE, RAINGY 

A pine tree stands gaunt against the thick foliaged background 
and the blue sky. In the distance small figures, walking along 
a path. With paper label bearing title in artist’s handwriting 
on the back.. Oil on canvas. Signed to the left. 


S1z€, 0% x 13 inches 


PEN BL hOUS Se AU 
FRENCH SCHOOL 


Sere ey THE RIVER 

On the left flows the river, winding into a sylvan background. 
On the right is a summer cottage, with a group of people on the 
door step. Behind the cottage, rises a gaunt factory chimney, 
belching smoke. In the early manner of the artist. Signed at 
the lower right. Oil on canvas. Sige, 15 x 18 wiches 


Bie a HIN Ee aR OLX 
FRENCH, 1798-1863 
Pie elke Sibi LIFE 
A brass vase with a profusion of old-fashioned garden flowers. 
This picture is similar to the flower paintings which Delacroix 


painted during his stay in Nohant, the country seat of George 
Sand. Height, 17% ches, length, 22% mches 


PAUIAGAMGUEN 
FRENCH, 1848-1903 


Pees FT PARADISE 

Painted before the first and second Tahiti periods. Tropical 
landscape with figures. Allegorical subject, showing a female 
figure, probably Lilith, standing near the coiled serpent beneath 
a twisted tree. At the right Adam, and Eve who hides her 
face in shame, flee from the garden, the angel of God pursuing 
them in a cloud. Oil on canvas. Size, 18 x 21% inches 


T5 


83 


84 


85 


PAUL GAUGUIN 

FRENCH, 1848-1903 
LANDSCAPE TE Bihan. 
On the shore of a tree-hung inlet a lean dog skulks among the 
driftwood. To the left is a glimpse of blue sea and sun-flooded 
beach. To the right, in a shadowy grove, is a hut, and the 


vague figure of a woman standing near a fire. Rich coloring. 
Signed at lower right. Canvas. Size, 36 x 2614 inches 


(Exhibited at the Metropolitan Museum of Art, Loan Exhibi- 
tion of Impressionist and Post-Impressionist Paintings, 1921) 


VINCENT VAN GOGH 
FRENCH, 1853-1890 


FARMHOUSE, AUVERS 

A landscape showing twisted trees against a background of hill 
and sky. In characteristic tones of blue, yellow and green. 
Oil on canvas. Supposedly painted at Auvers-sur-Oise, where 
during 1890 Van Gogh devoted two months to productive work 
before he ended his life. Size, 177% xX 235% inches 


(Exhibited at the Metropolitan Museum of Art, Loan Exhibi- 
tion of Impressionist and Post-Impressionist Paintings, 1921. 
Illustrated in the catalogue of the Exhibition) 


VINCENT VAN GOGH 
FRENCH, 1853-1890 
HE ADO rex 
The boy depicted full face, dressed in a blue peasant cap and 


wearing a green jacket with red buttons. Oil on canvas. 
Size, 14. X 17 tnches 


(Exhibited at the Metropolitan Museum of Art, Loan Exhibi- 
tion of Impressionist and Post-Impressionist Paintings, 1921) 
[SEE ILLUSTRATION | 


16 


[85] 


86 


87 


PAUL GEZANNE 
FRENCH, 1839-1906 


REFLECTIONS IN. THE WATER 

Painted in the early nineties. In the foreground still water, 
ending in the opening of an aqueduct among the trees of the 
background. <A clay bank at the left juts out into the water. 
Oil on canvas. Size, 36 x 25 inches 


(Exhibited at the Metropolitan Museum of Art, Loan Exhibi- 
tion of Impressionist and Post-Impressionist Paintings, 1921) 


PAUL CEZANNE 
FRENCH, 1839-1906 


THE BRIDGE 

A steel railroad bridge spans a quiet stream overshadowed by 
trees to right and left. Below the bridge, the remnants of mill 
and mill dam. <A fine example of the late period of Cézanne. 
Oil on canvas. Size, 29 x 36% mches 


(Exhibited at the Metropolitan Museum of Art, Loan Exhibi- 
tion of Impressionist and Post-Impressionist Paintings, 1921) 


[SEE ILLUSTRATION | 


18 


[87 | 


AUGUS TEARENOIE 


FRENCH, I841-1919 
88 LIBELLULE 
A young girl with reddish- elder hair, dressed i 


tones of rose and green; a basket swings from rib 
aL ITY = tale 31% inches; wide) 


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[88] 


J. A. McNEILL WHISTLER 


AMERICAN, 1834-1903 


89 PORTRAIT OF A WOMAN IN BLACK — 
The woman is seated, with one arm lying a 
her chair and her hand raised to her head. 1 
dark tones, with a touch of turquoise at 
canvas. (From the Alphonse Kann Collection 
. - Height, 23 mehes, 


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COSIMA TURA 


SCHOOL. OF FERRARA, 1432-1495 


90 HEAD OF A SAINT 


The saint has golden hair and beard, and wears a red robe with 
a black mantle over one shoulder. A large golden halo with 
scarlet segments of the cross surrounds the head. The treat- 
ment of figure and hair of unusual interpretation, direct and 
unconventional. Oil on panel. Size, 11 x 16 mches 


EL GRECO (DOMENICO THEOTOCOERD 
SPANISH, 1545(?)-1614 


CHRIST SCOURGED Al TEE Pitiven | 
The Christ stands, faintly luminous, bound to a pillar on a plat- 
form. Two soldiers beat him with scourges. Below, in the 
foreground, is a struggling mob. Above, angels and cherubs 
move among the clouds. A painting full of vigorous, yet 
rhythmic movement, in sombre colors with strange touches of 
luminosity and with a quality showing the influence of the 
Venetians. Oil on canvas. 

Height, 34% inches; width, 13% mches 


EL GRECO (DOMENICO THEOTCGOT UE 
SPANISH, 1545(?)-1614 


Se JOE INGE een 
The saint is represented against a characteristic background 
of clouds, holding in one hand the Lamb, couched on the Scrip- 
tures. Above the Lamb its a bandarolle with the inscription 
“Agnus Dei’. This remarkable and important painting by 
Greco, shows throughout the hand of the master himself. 
(From the Prince Stchoukine Collection) Oil on canvas. 
Height, 20 inches; width, 16 inches 


[SEE ILLUSTRATION ] 


24 


92] 


94 


95 


gO 


98 


P. CORNEA 
MODERN FRENCH SCHOOL 
BOY AT: GARPEN JER > ola tae: 
Before a table on which stand a large bottle of varnish and nu- 
merous carpenter’s tools, is a boy of thirteen or fourteen years. 


Other tools hang from the rafters in the background. Signed to 
the right, “E Corneau, ’19”. On canvas. Sige, 31% x 26 wiches 


DIEGO M-RIVERA 
MODERN FRENCH SCHOOL 


STILL LIFE, THE SUGAR BOWL AND THis eee 
Glass, pipe, vase and matchbox. Signed and dated on the back. 
Height, 25% inches; width, 21% mches 


DIEGO M. RIVERA 
MODERN FRENCH SCHOOL 
PORTRAIT OF A WOMAN 
Abstract. Signed to lower left. 
Height, 57 inches; width, 44% inches 
PICASSO 


CONTEMPORARY FRENCH 


ABS TRAGCLIION 
Signed on back. On panel. Size, 74% x 9% mches 
DoaMy RIVERA 
CONTEMPORARY FRENCH 
LANDSCAPE 


Grassy foreground; low walls in the middle ground, above 
which rises a terrace with houses. Signed to the left, “D. 
Rivera”. Oil on canvas. Size, 32 X 24 Inches 


HEAD OF AN INFANT BY:-BRANCUSI 
Executed in brass. Signed “C. Brancusi’. Height, 8 inches 


26 


SeesalURDAY APTERNOON, MARCH TWENTY-FOURTH, AT 3:30 


29 


IOO 


IOI 


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103 


104 


105 


106 


SECOND SESSION 


NUMBERS 99-191 


Pree ro ANEOUS OBJECTS OF ART 


NUMBERS 99-120 


Poe TAPA CLOTH FROM NEW ZEALAND 


Pee Per EIPING) TEXTILES 
Green sash with conventionalized animals; red and yellow sash, 
and dark blue cover with red and brocade stripe. (3) 


WROUGHT-IRON CANDLE STAND 
BRITTANY, FRANCE, I8TH CENTURY 
Tripod base. Height, 31 inches 


W ROUGHT-IRON CANDLE STAND 
BRITTANY, FRANCE, I8TH CENTURY 
Tripod base. Height, 19 inches 


PAIR OF WROUGHT-IRON ANDIRONS 
BRITTANY, FRANCE, ISTH CENTURY 


(2) 


PAIR OF WROUGHT-IRON ANDIRONS 
BRITTANY, FRANCE, ISTH CENTURY 
Mushroom tops, resting on double spiral. (2) 


RED TERRA COTTA HEAD OF A MAN 
EGYPTIAN OR SYRIAN 


(Damaged ) Height, 434 imches 
mE RLGIL ROMAN, ABOUT 200 B.C. 


With incised palm-leaf decoration. Fine patina. 
Length, 7 inches 


27 


107 


108 


109 


rio 


PIT 


II2 


113 


IIA 


IIS 


POTTERY 20O1NOGHOR SARDINIA, ROMAN PERIOD 

The shoulder decorated in red and yellow with frieze of leaf 

and scroll decoration. The handle with animal-head finial. 
Height, 1034 inches 


BRONZE STATUETTE OF A MAN 
ROMAN, ABOUT 200 B.C. 
(Sold as is) Height, 3% mches 


BRONZE STATUETTE Grech ia. 

ROMAN, ABOUT 200 B.C. 
The goddess represented in flowing gown and holding a cornu- 
copia 1n one hand. Height, 2% inches 


ARCHAIC BRONZE STATUETTE OF A MAN 
Standing with one arm outstretched, the other resting on the 
hip. Height, 3% inches 


BRONZE STATUETTE OF AN ATHEET 
ROMAN, ABOUT 200 B.C. 
(One arm damaged ) Height, 5% wmches 


BUCCHERO EARTHENWARE BOWL 
ETRUSCAN, 400-300 B.C. 
The body fluted and raised in centre. (Repaired) 
Diameter, 5% inches 


POTTERY HEAD OF A WOMAN 
GRECO-ROMAN, 4TH-3RD CENTURY B.C. 
The hair crowned by high ornament (damaged). 
Height, 7 inches 


LARGE POTTERY AMPHORA ROMAN, ABOUT 200 B.C. 

Floral frieze around the shoulder. Flattened handle connecting 

shoulder and neck; two smaller handles. (Sold as is) 
Height, 14 imches 


TWO POTTERY BOWLS AND A Tit Gris 

ETRUSCAN, 5TH-3RD CENTURIES B.C, 
The pitcher with sgraffito decoration, one bowl bucchero ware 
with fluted body. (Sold as is) (3) 


28 


te 


biz 


118 


119 


I21I 


I22 


ees 


124 


eae |] ERRA COTTA SARCOPHAGUS 
The cover with figure in relief, dressed in flowing garments, 
and with head resting on high pillow. Size, 18 x 9 inches 


PeaGMeENT OF LATE ROMAN MOSAIC FRIEZE 
Inlaid with star pattern. Length, 16% inches 


PreetaMeNT OF LATE ROMAN MOSAIC FRIEZE 
Frieze in checker pattern in blue, gold, white and red, set into a 
marble slab. Length, 12% inches 


LARGE ALBUM OF MAPS FRENCH, EARLY IQTH CENTURY 
Counties of France, etc. Majority dated in the early 18th cen- 
tury Size of album, 26 x 19 inches 


Peeve CARVED WOODEN DOOR: BY BRANCUSI 


Pot NE orIAN, NEGRO AND OTHER PRIMITIVE 
SOE ORES 


NUMBERS 121-1605 


AFRICAN NEGRO BRONZE RATTLE 
Height, 5 mches 


Pe tCAN NEGRO CARVED WOODEN HEADREST 
Height, 5%4 inches 


AFRICAN CARVED HORN HANDLE 
Length, 7 inches 


Pept AN NEGRO POLYCHROME FETICH 
Human head set on bracket base. Height, 12 inches 


AFRICAN NEGRO CARVED WOODEN. BOX WITH 

COVER 

Crescent-shaped, with carved decoration of geometrical motives. 
Length, 13% inches 


29 


130 


131 


[33 


AFRICAN NEGRO CARVED WOODEN SPOON 
The handle carved in the shape of finely modelled human figure. 
Length, 6% inches 


AFRICAN NEGRO CARVED WOODEN FIGURE OF A 
WOMAN | 
Height, 5 inches 


CARVED WOODEN STATUETTE FROMTHE 
Height, 7% inches 


CARVED WOODEN FLUTE FROM THE TVORhiG@ 
With conventionalized bird. Length, 16% inches 


CARVED WOODEN STATUETTE FROM: THE SUDAN 
Height, 1334 inches 


CARVED WOODEN STATUETTE FROM i 
Red polychromy. Height, 17% mches 


CARVED WOODEN STATUETTE FROM TRE 
Polychrome, red and black. (Sold asis) Height, 18% inches 


CARVED WOODEN BOWL FROM THE WA OG 
ISLANDS 
Geometrical design. Diameter, 9% inches 


NEW GUINEA PADDLE AND Tate 


Polychrome and with geometrical design. 


NEW GUINEA POLYCHROME WOODEN Fata 


Lozenge-shaped, with grotesque head. 


FIJI ISLAND CARVED HARDWOOD PADDLE 


Very fine specimen, with geometrical carving. 


AFRICAN NEGRO MUSICAL INSTRUMENT 
The nine keys mounted on rectangular wooden block. 
Size, 11 x 5% mches 


30 


138 


139 


I40 


I4I 


142 


144 


PeniCAN NEGRO CARVED WOODEN RATTLE AND 
COMB 
The rattle hourglass-shaped. (Damaged) 


AFRICAN NEGRO CARVED WOODEN MASK 
The features conventionalized. Head with crescent-shaped 
horns. (Sold as is) Height, 11 inches 


AFRICAN NEGRO CARVED WOODEN FETICH 
Human head on shaft. Painted in red and black, the eyes inset 
with glass. Height, 11% imches 


AFRICAN NEGRO CARVING 

Single block of wood, partly hollowed out, and decorated on 
the outside with crudely carved geometrical design against a 
diapered background. Length, 10 inches 


MODERN AFRICAN NEGRO CARVING 
Soldier wearing bullet case, carrying gun in one hand, and 
human head in the other. Interesting specimen. 

Height, 814 inches 


AFRICAN NEGRO CARVED WOODEN FETICH 

Figure of a woman, in interesting conventionalization, the arms 
and body forming a cross, widening into a round base, while the 
headdress is again almost round in shape. The base wound 
with varicolored bead necklaces. Height, 1034 inches 


AFRICAN NEGRO CARVED WOODEN MASK 
The face, which is strongly conventionalized, is surmounted by 
crescent-shaped horns. Black, partly painted in red. 

Height, 15 inches 


AFRICAN NEGRO CARVED WOODEN FIGURE 
Height, 20 inches 


CARVED WOODEN STATUETTE FROM THE CONGO 
(Sold as is) Height, 8 inches 


147 


148 


149 


150 


I5I 


153 


154 


I55 


156 


CARVED HARD WOODEN STATUETTE FROM THE 
MAROUBSAS ISLANDS 
Height, 10% inches 


CARVED WOODEN MASK FROM THE CONGO 
Height, 914 inches 


CARVED WOODEN STATUETTE FROM Ahis Oi 
Height, 15 inches 


CARVED WOODEN STATUETIES TO... 
GUINEA 
Woman standing. Height, 10% inches 


CARVED WOODEN STATUETTE FROM THE CONGO 
Woman, kneeling. Height, 16 inches 


HARDWOOD STILT FROM NEW -4EALAND 


With conventionalized figure. 


AFRICAN NEGRO CARVED WOODEN FIGURE OF A 
WOMAN 7 
The eyes in ivory. Height, 7 wmches 


CARVED WOODEN STATUETTE OF A MAN FROM 
TEE COMGo 

The features, hair and beard with striking likeness to Egyptian 
heads. Represented standing, holding a knife in one hand, a 
short club in the other. Height, 7% wmches 


CALEDONIA CARVED WOODEN WAR DRUM 
Cylindrical shape with fine geometrical carving. (Sold as is) 
Height, 36 inches 


COPPER FETICH FROM THE COMES 
Mounted on wood. Height, 23 inches 


32 


157 


158 


159 


160 


161 


162 


Sanco CARVED WOOD STATUETTE 


Warrior with knife and spear. Height, 9% inches 


WOODEN HELMET SURMOUNTED BY MONKEY 
CONGO 
Polychrome, red, white and black. Height, 21 inches 


IVORY HORN FROM THE CONGO 
Length, 17 inches 


CARVED WOODEN PILLAR FROM MADAGASCAR 
Square, carved on two sides with geometrical motives. 
Height, 2514 inches 


AFRICAN NEGRO PAINTED WOODEN CEREMONIAL 
MASK 
Grotesque animal head with huge, upstanding ears. 

Length, 38 inches 


CARVED WOODEN AFRICAN NEGRO TOMTOM 
Friezes of diverse geometrical decoration. Turret-shaped. 
(Slightly damaged at top). Height, 39% inches 


LARGE AFRICAN NEGRO CEREMONIAL MASK 
Animal head with high, grotesque ears. Height, 30% inches 


WOODEN CARVING OF A BIRD FROM THE CONGO 
Length, 14 inches 


ao 


166 


167 


168 


170 


IMPORTANT AFRICAN NEGRO POLYCHROME MASK 
In black wood with part of the original polychromy of geo- 
metrical design in blue, dull red and white. This mask is re- 
markable for the careful and perfect carving beneath the poly- 
chromy. 

[SEE ILLUSTRATION | 


PRIMITIVE CHINESE Apes 


NUMBERS 166-168 


BOX CONTAINING FIVE IMPORTANT EARLY JADES 

CHINA, CHOU PERIOD 
One disc, symbol of the:sun; two small pendants, two in the 
form of conventionalized animals. Very rare. 


BOX -CONTAINING -FOUR IMPORTA Nie 
JADES CHINA, CHOU PERIOD 
Two in the form of conventionalized animals, two of irregular 
shape. 


BOX. CONTAINING FOUR IMPORTA 
ADEs CHINA, CHOU PERIOD 
Two large, probably representing conventionalized animals; 
two smaller, of irregular shape. 


PREHISTORIC AMERICANA ART 


NUMBERS 169-191 


AMERICAN INDIAN JAR AND MEXICANS POs 
Dipti 
The Indian jar sketchily decorated in black, the Mexican bowl, 
red clay, and standing on three legs. (Sold as is) 

Height, 4 and 6% inches 


MEXICAN TPO Eee che 
The front with plastic human face. (Damaged) 
Height, 5 inches 


[165] 


171 CENTRAL AMERICAN VOLCANIC STONE HEA 
Height, 5% mches 


172 PERUVIAN POTTERY BLACK-GLAZED Wei ae 
The round body with decoration in relief of scorpion-like mo- 
tives. Height, 7% inches 


172- PERUVIAN POTTERY DOUBLE BODIED Waist. 
JAR | 
Gourd-shaped, one section ending in animal head. 

Height, 9% wmches 


174 CENTRAL AMERICAN FIGURE OF Ge 
Volcanic stone. The god represented seated, the head resting 
on the knees, the body compressed. Height, 7 inches 


175 VERY RARE MEXICAN OBSIDIAN CARVING OF A 
GOD 
(Repaired ) Height, 3 inches 


IMPORTANT: SERIES OF PERUVIAN POVTER ES ee. 
PRE-INCA PERIOD 


NUMBERS 176-191 


It is well known that according to the Peruvian law, works of art of 
the early periods can no longer be exported. ‘The present series of; 
potteries is of unusually fine quality. Such an ensemble of rare and 
important pieces has never before been offered at public auction in 
New York. 


176 PERUVIAN WATER JAR OF THE PRE-INCA PERIOD 
The round body of white clay, decorated in red with three im- 
pressionistic floral friezes. High handle and spout. } 

Height, 9% inches 


177 PERUVIAN POTTERY WATER [AR = OF = eee 
INCA PERIOD 
Grotesque decoration in red on round body of snakes and ~ 
dragon-like animals. High handle and spout. 
Height, 1134 mches 


36 


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182 


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ty 


184 


PomuVIAN POPTERYYWATER JAR, OF THE .PRE- 

tn PERIOD 

Ivory-white glaze, with very fine decoration in red of frieze of 

grotesque birds; scorpion on top. High handle and spout. 
Height, 9% inches 


Pee vIAN POTTERY WATER VESSEL OF THE PRE- 

INCA PERIOD 

The round body with grotesque animal and sunburst decora- 

tion in red, and surmounted by plastically modelled human head 

surmounted by crescent. Spout and handle at back of head. 
Height, 14 inches 


pee VIAN POTTERY WATER VESSEL OF THE PRE- 
INCA PERIOD 

Seated god with grotesque face, the features partly conven- 
tionalized. Decorated in red. Height, 8% inches 


Pee k-GLAZED POTTERY PERUVIAN WATER JAR 
OF THE PRE-INCA: PERIOD 

In the shape of a cluster of four oval fruits, with handle and 
spout rising from the centre. Height, 9% inches 


Pree y Ne POTTERY WATER JUG. OF THE -PRE- 
INCA PERIOD 
In the form of a llama, a man lying across the back. Broad 
handle and high spout. Partly decorated in red. 

Length, 9 inches 


feeey TAN BLACK -POTTERY WATER VESSEE OF 
THE PRE-INCA PERIOD 

In the form of a warrior wearing conical helmet, seated with 
crossed arms. Height, 10 inches 


pee vIAN BLACK POLTERYSWATER VESSEL*OF 
Pia? PRE-INCA PERIOD 

In the form of a seated man, wearing cap. Spout and handle 
at back. Height, 8% imches 


185 


186 


187 


188 


189 


IgO 


IQI 


PERUVIAN POTTERY WATER PITCHER Gia 
PRE-INCA PERIOD 

Round body with grotesque animal decoration in red; deer- 
shaped plastically-modelled head. Height, 9% inches 


PERUVIAN BLACK POTTERY WATERY Ess ris 
THE PRE-INCA PERIOD 
In the form of a seated man, wearing a bonnet. 


Height, 834 inches 


PERUVIAN POTTERY WATER JAR VOR Tie 

INCA PERIOD 

In the form of a head, both features and headdress strangely 

resembling the Egyptian type. The headdress with snake and 

zigzag decoration. Decorated in red. High handle and spout. 
Height, 11% mches 


POTTERY WATER JAR OF THE PRE-INCA PER 
In the form of a god with deer’s head, represented seated cross- 
legged with upraised and joined hands. Spout and handle at 
back. Decorated in red. Height, 10% wmches 


PERUVIAN POTTERY WATER JAK OB Sire. 
INGAC PERIOD 

In the form of a phcenix-like bird seated upon a convention- 
alized pile of rocks. Ivory-white clay, with details in terra 
cotta. (Slightly damaged) Height, 10% inches 


PERUVIAN BLACK-GLAZED POTTERY WATER JAR 
OF THE PRE-INCA PERIOD . 

In the form of a grotesque animal with large ears and curved 
tail, surmounting a gourd-shaped water vessel. Curved handle 
with cylindrical spout. Height, 834 inches 


PERUVIAN BLACK-GLAZED POTTERY WATER JAK 
OP THE PRE-INGASP RRO 

Expressively modelled in the form of a puma, the handle with 
spout at the top. Height, 7 inches 


38 


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